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ABOUT THE ARTISTS

Chantal Spapens is a visual artist who works in performance, sculpture, installation and painting.

She has been travelling and living as an expatriate for thirty years and is currently based in Rome. Her work deals with womanhood in all its complexity and how it is affected by the contemporary, patriarchal society, layering personal experiences with broader societal questions. Recurrent themes are female agency, body politics and power relations.

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DEVASTATE ME, BABY

Decadence, in the context of womanhood and feminism, holds relevance in its essence of refusal—an opposition to the norm. This manifests as a rejection of art historical ideologies (such as the use of craft), gendered norms, traditional feminine roles, and discourse around excessive consumption of food, alcohol, and drugs. Chantal purposefully embrace this ‘excess’ as a deliberate and liberating aesthetic, contemplating the obsessive, violent and addictive nature of desire.

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WAX-BUILT CASTLES

“How am I to protect my wax-built castles of love From the devouring heat of your fires?” Sayat Nova

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MARE NOSTRUM

For centuries, the Mediterranean Sea has occupied a central place in the evolution of human society and Europe. It is both a physical barrier to human mobility and an element that connects land and continents. Odysseus pursued his hero’s journey around the Mediterranean basin. Today, the Mare Nostrum is a precarious, tragic space where immigrants, attracted by the siren’s song of salvation and sanctuary in Europe, embark on a perilous journey that could lead them to exclusion or inclusion.