Every visualisation of the selected videos to launch PAV will be for free until October 1, 2023, thanks to the generous contribution of the featured artists.
Despina Zacharopoulou is a performance artist born in Arcadia, Greece, currently working between London and Athens. Her practice investigates performance as SPATIUM MONSTRORUM: surface and event of parrhesia - understood, according to Foucault's definition, as free logos which implies the pronunciation of the truth at all costs, even at personal risk, and as an indispensable condition for acting to the common good - aiming to reconstitute philosophy as an embodied practice and method towards a radically other life. Her live works borrow their artistic vocabulary from the 1970s performance tradition (e.g. long duration, pain practices, nudity, visceral character, performance-audience encounters etc), to raise contemporary issues on live art research methods.
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A performance for the camera exploring the theme of ‘Body and Citizenship’ and how the maternal body might operate as a site for this passage from Nature’s world of violence and wilderness to the world of the polis and its language brought by theatrical and philosophical discourse. The video has as its starting point the passage to citizenship concerning the birth and use of language. Accordingly, the performance’s title stems from one of the roles of Artemis in Ancient Greece: Kourotrophos (Greek: Κουροτρόφος, “child nurturer”) and Lochia (Greek: Λοχία, “belonging to childbirth”). Artemis was responsible for the delivery and upbringing of children from childhood to adulthood and civil life.