‘these teeming forms’ was shot on England’s South Pennine Moorland in a breath between lockdowns in 2021. These windswept hills formed Joseph’s adolescent horizon and they have returned there in adulthood, walking out into the land holding grief, seeking connection. The film has a sensate and mythic quality; performance actions to camera are collaged with cyanotype printing processes of analogue photography, speculative texts and an original score. The wet, wily moorland contains large peat deposits, produced over thousands of years as normative processes of decomposition are frustrated by the great quantity of water that falls on the hills. The peat is a collage of animal and plant matter, minerals and weather. Like the body, the land is an archive. The film is framed by an interview with the artist’s father, who speaks of his own remembrance of a haunting adolescent encounter many decades previously. Queer ecologes are imagined here as a process of wilding, of entering the land and being opened by it. Memory and desire, history and loss, future and fantasy become porous, contributing to a textural and sensate meditation on living. these teeming forms was commissioned by ]performance s p a c e[ and supported using public funds by Arts Council England.
A performance for camera taking as a starting point the killings of women by their partners, during 2021 in Greece. Domestic (and other forms of) violence, inflicted predominantly on female-identified subjects around the globe, remains under-reported, stigmatised, and kept as taboo behind doors: devastatingly pervasive in capitalistic, patriarchal, hegemonic, and (hetero)normative societies. The performance whilst using specific signifiers and (symbolic) references focuses on skin self-writing and dancing as acts of resilience and (self)empowerment “THIS IS NOT YOUR TERRITORY” is not only a performance for the dead but mainly for the still alive ones, the daily survivors, including the children behind the closed doors, and their joint screams. There is not enough space for the names of all of them, but definitely, they are not forgotten.
Concept delves into the notion of notifications and social media becoming our sustenance, our daily food, and a captivating addiction that consumes our lives, shedding light on our modern habits and obsessions. Performance challenges our reliance on technology and explores the impact on our senses. Breaking 12 plates symbolizes a year and time passed in our digital dependencies. Background notification soundscape reminds us of the constant stream of information we face daily, while the dripping water represents emotional complexity and the paradox of our insatiable thirst for connection. The performance prompts reflection on our relationship with technology, its effect on sensory experiences, and the content we consume. Through broken plates, notification noises, and dripping water, it calls for deeper, more meaningful connections and conscious consumption.