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• I Was Once the Snake Woman

  BY NIYA B

  The performance acts as a metaphor for the possibility of a resilient identity in a fast-changing world of political extremes, climate uncertainty, species extinction, and the fetishization of nature. It is an investigation of serpent mythologies, fashion’s fascination with the animal world, and the contradictions inherent in imitating the skin pattern of a species that humans both fear and kill. Niya embodies the Snake Woman—a hybrid offspring inspired by the metamorphic ancient Greek myth of Tiresia. The hybrid creature glides between captions from online fashion videos and lines taken from Snake Poems by Margaret Atwood. “…to talk with the body is what the snake does...” Margaret Atwood. After Heraclitus. In Interlunar. 1984 “…if you monochrome the print If you abstract the print You sort of take the danger Take the heat Take those messages away from the animal print You’ve just left with this nice idea of it Without of it being too scary…” Jess Cartner-Morley. How to dress: animal print. The Guardian. 8 November 2013.
• A feeling

  BY JOSEPH SCHOFIELD - ASH MCNAUGHTON - MARCEL SPARMANN

  A collective performance initiated by Future Ritual, A feeling explores ideas of death, remembrance, transformation, rebirth and the transference of energy.
• YOUR WOUNDS BLEED ME تمہارے زخموں سے میرا خون

  BY PRIIYA PRETHORA

  The last walk to a melting glacier and the rituals of walking the moist ground it reveals by leaving. Things to carry with oneself on wounded paths and singing to the ancient frozen imprints disappearing into the memory of algal blooms sprouting in the warm seas. A journey on foot, connecting homes across the nomadic landscapes of borrowed belonging. A body alive, in the haunts of breaking ice.