43'08''

HD

2015

MILK & BLOOD

Description

Love, insignificant, this, insignificant, body, insignificant, powerless, insignificant, never, insignificant, democracy, insignificant, pain, insignificant, life, insignificant, shit, insignificant, fuck, insignificant, artist, insignificant, I, insignificant, mediocracy, insignificant, deleted, insignificant, self, insignificant… – Franko B

Milk & Blood is a performance held by Franko B on July 27, 2015, at Toynbee Studios (London). It appropriates the aesthetics of boxing for 32 minutes, rounds of mental and physical endurance during which Franko explores themes of pain, eroticism, revulsion, ecstasy and masculinity. The performance becomes a metaphor for social struggle and the ability to overcome it.

Internationally recognised as a pioneering performance artist, Franko B uses both his body and a punching bag as democratic tools, embodying notions of the personal, political and poetic. In this unprecedented performance, Franko B returns to the seminal aesthetics of the wound. Milk will bleed. He says: “Looking introspectively, I can truly say that I have successfully wrecked my career as a ‘bleeding’ artist and continued my lust for life thanks to language.”

credits

Milk & Blood is supported by Arts Council England and presented in collaboration with a/political. Franko B would like to thank a/political, Lee Steggles, Dawn Manners, Becky Haghpanah-Shirwan, Steve Wald, Yuki Kobayashi, Thomas Qualmann, Gill Lloyd, The Bureau of Silly Ideas, Gamba Shoes, Hillary Wili and Katie McPhee. Photo Hugo Glendinning. Courtesy the artist

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Franko B, born 1960 in Milan (IT) and based in London is a multi-disciplinary artist who doesn’t separate life from practice. His work situated somewhere between isolation and seduction, benevolence and confrontation, suffering and eroticism, punk and poetry. His concern is to make the unbearable bearable, and provoke the viewer to reconsider his own understanding of beauty and of suffering. He uses his body as a metaphor for social struggle, and embodying notions of the personal, political and poetic. Projecting the confluence of love and pain, Franko B demonstrates that humanity, as a condition, can be reformed.

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