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• I’M THINKING OF YOU

  BY Franko B

  I'm Thinking of You presents a surreal, dreamlike image... a romantic vision of childhood fantasy and abandon. The body is central, but we are also presented with objects and music, which converge to take the viewer through a contemplative, personal experience. The first inspiration for I'm Thinking of You came from a childhood object, which Franko B made into a sculpture, altered for safe use by adults. The idea was to allow adults to play, to forget their problems, to let go, or just to have fun - in the same way that children are allowed to. Over time, and with engagement with the composer, Helen Ottaway, the idea has developed and changed, with Franko using performance and music as a means to create his desired image.
• I’M HERE

  BY Franko B

  Using innovative body mapping techniques of a film made up of thousands of found images, Franko B revisits his seminal bloodletting works for the first time in his practice. Each cut challenging the audience to confront their own history, a global history of war, abandonment, homophobia, freedom, displacement, famine and sex. In I’m Here, present but disembodied, Franko B provides a portrait of our failing society. As the artist bleeds for a world that is hemorrhaging to death, pain and nostalgia emit to expose how Franko B became who he is amongst all of the shit. “Every day I’m trying to make sense of my extended time here. The past is part of our present. It never left us but is evolving rather than repeating; it is continuing to allow us to make the same mistakes. I believe this is valid for both the personal and the political. I'm Here is trying to express these two connected worlds. It doesn’t revisit the past romantically or melancholically in the context of our political and social histories but questions and reinterprets it.” – Franko B
• REWIRED/REMIXED: EVENT FOR DISMEMBERED BODY

  BY Stelarc

  This is an interactive, online performance that explores the physiological and aesthetic experience of a fragmented, distributed, de-synchronized, distracted and involuntary body – wired and under surveillance. Wearing a heads-up display, the artist sees with the eyes of someone in London, and hears with the ears of someone in New York, whilst simultaneously, anyone, anywhere can program the exoskeleton with a touch-screen interface and generate involuntary movements of his right arm. The performance was for 5 days, 6 hours a day continuously. His vision was disconnected from his hearing and his arm was disconnected from his intention. It is as if the body has been electronically dismembered, spatially distributed and possessed by multiple agencies. The performance was from 3 -7 August, with the exoskeleton arm being interactive from 31 July – 4 September 2015.